My Sahir Ludhianvi | Oshurer Suralok Jatra Series
Sahir Ludhianvi once wrote about his mother: “Tu mere sath rahega munne Main tujhe rahem ke saaye mein palne na …
Oshurer Suralok Jatra Series (Journey of an Untrained Soul into the Realm of Melody) is a reflective and exploratory series by Sufi Faruq Ibne Abubakaer, documenting his personal journey into the world of Indian classical music. Originally conceived under the title “Gaan Kheko” (“The Song Devourer”), the series evolved into a broader attempt to make the vast and often intimidating universe of classical music approachable for curious listeners.
Rather than presenting itself as an academic treatise, the series reads like a listener’s diary—a candid account of discovery, confusion, fascination, and gradual understanding. Drawing from his own experience as a late learner and devoted listener, the author explains how one might begin to listen to, recognise, and enjoy Hindustani classical music, even without formal training.
Throughout the series, Sufi Faruq Ibne Abubakaer introduces readers to the fundamentals of raga, tala, gharana, musical forms, and listening practices, while also sharing stories, references, and personal reflections gathered during his musical exploration. His goal is not to teach classical music in the traditional sense, but to guide fellow listeners—especially beginners—towards developing an attentive ear and a deeper appreciation of the art.
In essence, Asurer Suralok Jatra is both a personal musical pilgrimage and a listener’s guide, inviting readers to embark on their own journey into the rich and intricate world of Indian classical music.
Sahir Ludhianvi once wrote about his mother: “Tu mere sath rahega munne Main tujhe rahem ke saaye mein palne na …
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Today’s discussion focuses on the classification of ragas according to the thaat system. Alongside the raganga (structural or stylistic) approach, …
In Hindustani classical music, the classification of Ragas is today largely based on the thaat system introduced by Pandit Vishnu …
In various treatises and scholarly studies on Hindustani classical music, the names of over 1,800 rāgas can be found. With …
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